As 2024 comes to a close and 2025 is on the way, this winter has an absurd amount of great movies coming soon. Not only does 2024 end with some of the best films of the year, likeRobert Eggers’NosferatuandRaMell Ross’Nickel Boys, but 2025 is starting strong with some great horror films, a new film in the Marvel Cinematic Universe, and most importantly, the return of Paddington.
In the next few months, we’ve got everything from a return to The Lord of the Rings to the true lord of the rings, Sonic the Hedgehog. With December, January, and February, get prepared to see some of the big Oscar films prepping for award season, and some films that could be the highest-grossing of the year. Even though this party of the year can be a little slow,we’ve got 40 reasons for you to get excited about the movies coming out this winter.
‘Nightbitch’
December 6
Say what you will aboutAmy Adams’ latest film, there is no movie coming out this winter that has a more fun title to say thanNightbitch. Writer-directorMarielle Heller(Can You Ever Forgive Me?,A Beautiful Day in the Neighborhood) adaptsRachel Yoder’s book about a wife and mother (Adams) who is frustrated with the mundanity of her stay-at-home life, where each day is the same as the last. Her husband (Scott McNairy) is rarely any help, and while she loves her adorable son, there’s a part of her that needs to break out of this routine. As these feelings start to take over, she also starts to see signs that…she might be turning into a dog.Nightbitchis a wild concept that gives Adams one of the most daring and wild performances of her career, and is a realistic look at the give-and-take that comes with being a mother. And on a lesser note, the troubles of also sometimes being a part-time dog. —Ross Bonaime
Nightbitch
A stay-at-home mother starts experiencing bizarre changes, suspecting she is transforming into a dog. As her reality blurs between the mundane and the monstrous, she grapples with her identity, her role in the family, and the primal instincts awakening within her.
‘Oh, Canada’
‘Oh, Canada’ Review: Richard Gere and Jacob Elordi Are One Troubled Man
Paul Schrader’s classic guilt-ridden protagonist goes in search of peace once more.
Coming off the thematically-tied trilogy ofFirst Reformed,The Card Counter, andMaster Gardener, about men seeking redemption for the past,Oh, Canadais a much more subdued film than his last three.Richard Gerestars as Leonard Fife, a documentary filmmaker who fled to Canada in his younger days to avoid fighting in Vietnam (with the younger version of Leonard being played byJacob Elordi). Now, as Leonard is dying of cancer in his seventies, he gives an interview where he explores the truths and lies that he made about his past. Schrader’s film explores the muddiness of our own past, as time plays tricks with Leonard, and as those hearing his confessional interview, including his wife, played byUma Thurman, and a lesser documentary filmmaker, played byMichael Imperioli, question how much of this admittance is actually factual.Oh, Canadaisn’t nearly as stressful as Schrader’s last few films, but it’s just as introspective and about redemption as we’ve come to expect from the writer-director. —Ross Bonaime
Oh, Canada
Leonard Fife has lived a significant life. After being one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam, he gained praise for becoming an acclaimed documentary filmmaker. Now, with the camera turned on him for a film about his life and career as he finds himself on his deathbed, he shares all his secrets to de-mythologize his mythologized life.
‘The End’ Review: Tilda Swinton and George MacKay Face Annihilation in Joshua Oppenheimer’s Musical
The end may only be the beginning.
2024 has been a massive year for musicals, as we’ve seen the release ofMean Girls,Emilia Pérez, the success ofWicked, and yes,Joker: Folie à Deux. But one of the most unique musicals in years isThe End, fromThe Act of KillingandThe Look of Silence, in what is essentially a post-apocalypse musical.The Endcenters around a wealthy family, played byGeorge MacKay,Tilda Swinton, andMichael Shannonwho has found refuge in a mine and still manage to live a life of luxury with their closest friends. When a girl (Moses Ingram) comes from the outside world seeking solace, she causes a disruption in this world they’ve created. Through his first narrative feature, Oppenheimer explores global warming, financial divides, and the impact that the wealthy have on the direction of our world.It’s a powerful, strange, and restrained moviethat’s unlike any musical you’ve ever seen. —Ross Bonaime
The End is a contemplative drama exploring the intertwining lives of strangers during the final moments before a cataclysmic event. As each character reflects on their life choices and relationships, the film examines themes of regret, acceptance, and the delicate nature of human connections in the face of impending change.
‘The Order’
Director Justin Kurzelhas a history of creating extremely dark movies based on true stories, having previously made the haunting 2011 filmSnowtownas his debut, followed by 2019’sTrue History of the Kelly Gang, and 2021’sNitram. His latest film,The Order, centers around FBI agent Terry Husk (Jude Law), who takes on a white supremacist terrorist group causing mayhem in the Pacific Northwest known as the Order, led by Bob Mathews (Nicholas Hoult). The trailer forThe Orderlooks fitting of Kurzel’s previous work, an eery cat-and-mouse thriller also starringTye Sheridan,Jurnee Smollett, andMarc Maron.The Orderis also written byZach Baylin, who previously received an Oscar nomination for hisKing Richardscreenplay.The Orderis a tense, unsettling drama to end the year with.—Ross Bonaime
The Orderis a historical crime thriller directed by Justin Kurzel. Set in 1983, the film follows FBI agent Terry Husk, who investigates a series of violent crimes in the Pacific Northwest. He suspects these are not the actions of a regular criminal gang but rather a white supremacist group led by the charismatic Bob Mathews. As he digs deeper, the investigation uncovers a radical underground network.
‘The Return’
‘The Return’ Review: Ralph Fiennes Strikes an Imposing Figure in Timeless Epic
You may be familiar with this story, but you’ve never seen it quite like this.
There have been plenty of adaptations of Homer’sThe Odysseyover the years, but let’s be fair, none of them have had a buff-as-hellRalph Fiennesas Odysseus.The Returnfinds Odysseus returning to his home of Ithaca after 20 years a completely new person. There, he finds his wife Penelope (Juliette Binoche) with suitors trying to take her as a wife in order to take the throne, and his son Telemachus (Charlie Plummer) potentially facing death. From director Uberto Pasolini,The Returnis a work of restraint and tension, and shows a new side to this story that has stood the test of time. And with Fiennes and Binoche at the center,this is certainly going to be an odyssey worth watching.—Ross Bonaime
The Return
After 20 years away, a weary warrior returns to his homeland of Ithaca, only to find his kingdom in disarray and his wife besieged by suitors. This retelling of the classic myth explores the hero’s journey to reclaim his home, confront the changes in his absence, and restore order amidst the upheaval. Themes of loyalty, perseverance, and the impact of time shape this powerful reimagining of Homer’s “Odyssey.”
‘The Six Triple Eight’
CouldThe Six Triple Eightbecome the first film directed byTyler Perryto receive an Oscar nomination? Perry’s latest tells the story of the 6888th Central Postal Directory Batallion in World War II, which was an all-black, all-female battalion. StarringKerry Washingtonas Major Charity Adams,The Six Triple Eightalso featuresSam Waterson,Ebony Obsidian,Susan Sarandon,Oprah Winfrey, andDean Norris. ButThe Six Triple Eightalso seems likely to be the sixteenth nomination forDiane Warrenin the Best Original Song category for her song “The Journey,” performed byH.E.R.Warren has never won a competitive Oscar, despite even being nominated since 2017, socould the first Oscar nomination for a Perry film also break Warren’s streak?It seems entirely possible. —Ross Bonaime
The Six Triple Eight
The Six Triple Eight follows the story of the 6888th Central Postal Directory Battalion, an all-female, African American unit tasked with sorting a massive backlog of mail in Europe during World War II. Overcoming discrimination and difficult conditions, the unit’s efforts significantly boost the morale of soldiers on the front lines.
‘Unstoppable’
‘Unstoppable’ Review: Jharrel Jerome Leads a Crowd-Pleasing Biopic About a Resilient Wrestler
William Goldenberg’s directorial debut is a riveting sports drama about fighting back.
Unstoppable, byArgo’s Oscar-winning editorWilliam Goldenberg, tells the true story ofAnthony Robles, a wrestler with one leg who earns a spot on the Arizona State Wrestling team and fights to become an NCAA Champion.Jharrel Jeromestars as Robles, giving theWhen They See Usactor a spotlight for his skills, in a film that also starsJennifer Lopez,Don Cheadle,Bobby Cannavale, andMichael Peña. While sports films can often be a bit formulaic, few sports films have a cast as stacked asUnstoppable, and with audiences trying to find films to watch together for the holidays,Unstoppablecould be just the ticket. —Ross Bonaime
Unstoppable
Based on the true story of Anthony Robles, a one-legged wrestler who achieves NCAA glory. This biographical sports drama illustrates the power of perseverance and the human spirit in overcoming incredible odds, spotlighting family support and personal determination.
‘Y2K’ Review: ‘SNL’s Kyle Mooney Heads Back to the ’90s in Entertaining, but Underwhelming Directorial Debut
Rachel Zegler and Jaeden Martell star in a world where Y2K happened — it’s way worse than we expected.
We all know that at midnight on July 31, 2025, everyone was afraid that technology would turn on us with the terrifying Y2K bug, and yet, nothing happened. Yet whatKyle Mooney’s directorial debut posits is, what if Y2K did happen, and it was way worse than we expected. That’s the premise ofY2K, a part-teen comedy, part-90s apocalyptic tale, in which two high school juniors, Eli and Danny (played byJaeden MartellandJulian Dennison), go to a Y2K party and end up running for their lives and all forms of technology begin to combine and rise up against their human overlords. Even Tamagotchis are capable of some horrific, murderous acts. Amongst all of this, Eli tries to get closer to his crush, Laura (Rachel Zegler), a cool girl who knows quite a bit about computers. Oh, andFred Durstalso shows up as Fred Durst.Mooney knows his 90s culture well, which leads to some ofY2K’s funniest moments.After you leaveY2K, you’ll believe that Limp Bizkit can save the world. —Ross Bonaime
Two high school nobodies make the decision to crash the last major celebration before the new millennium on New Year’s Eve 1999. The night becomes even crazier than they could have ever dreamed when the clock strikes midnight.
December 11
‘Maria’ Review: Angelina Jolie’s Oscar Vehicle Sees Pablo Larraín Exquisitely Navel-Gazing Once More
Awards could very well be in store for Jolie, but this film offers little else.
Pablo Larraín’s biographical films about iconic women through history have been divisive, but have been led by commanding performances from its actors. First was 2016’sJackie, starringNatalie Portman, while 2021’sSpencerpresentedKristen Stewartas Princess Diana. The latest in this series matches the greatness of these other actresses, asAngelina Jolietakes on the role of Maria Callas, once thought to be the greatest opera diva.Mariafinds Callas in 1977, with worsening health and a worry that she might never perform live again.Mariagives Jolie one of her best performances yet, as Callas navigates the balance of being a legend in her field, yet fearful that she’ll never be what she once was. Jolie handles Larraín’s unconventional way of narrowly focusing on a specific period in a person’s life beautifully, with what is a very insular performance, despite playing a character who is always vocal about what they want. Portman and Stewart both received Oscar nominations when they worked with Larraín, and it seems very likely and deserving that Jolie will receive this same accolade. —Ross Bonaime
Maria follows the renowned opera diva Maria Callas as she lives in seclusion in Paris during her later years. Despite her deteriorating health, Callas receives an intriguing invitation to tour, prompting reflection on the legacy and influence of her storied career in the world of opera.
‘Kraven the Hunter’
December 13
2024 has been a strange year for Sony’s Marvel films. This year began with the much-malignedMadame Web, and the conclusion of the Venom trilogy withVenom: The Last Dancedidn’t leave the same impact as the previous two films. Sony will end 2024 withKraven the Hunter, which was originally supposed to be released in January of 2023. Then October of that same year. Oh, and then August of this year. But now, we will finally get the stand-alone film of this legendary hunter.Aaron Taylor-Johnsonstars as Sergei Kravinoff (also known as Kraven), a big-game hunter, and explores his relationship with his father, Nikolai, played byRussell Crowe. As Sony continues this cinematic universe of Spider-Man side characters,Kravencomes off as one of the more curious choices for a stand-alone film, considering how much of his personality is centered around, you know, Spider-Man. But it will be interesting to see how Kraven handles a story without Spider-Man. Especially since this cast also includesAriana DeBoseas Calypso Ezili,Fred Hechingeras Chameleon,Alessandro Nivolaas Rhino, andChristopher Abbottas the Foreigner. At the very least,those who have been cravin’ a Kraven movie will finally get to see what they’ve been waiting for.—Ross Bonaime
Kraven the Hunter
Russian immigrant Sergei Kravinoff is on a mission to prove that he is the greatest hunter in the world.
‘The Lord of the Rings: The War of the Rohirrim’
For twenty-odd years, December has always felt like the season ofLord of the Rings, and this December is about to bring back all of those emotions with the brand-new animated movieThe Lord of the Rings: The War of the Rohirrim. WhileThe Lord of the Rings: The Rings of Powerhas brought a lot of joy to Tolkien fans on the small screen as it explores the appendices withThe Rings of Power,The War of the Rohirrimis the first project connected toPeter Jackson’s trilogy sinceThe Lord of the Rings: Return of the King. Set 261 years before the events ofThe Lord of the Rings: The Two Towers, the animated film tells the story of Helm Hammerhand (Brian Cox)—the legendary King of Rohan who faces off against an army of Dunlendings, led by the ruthless Wulf (Luke Pasqualino). While Helm is the most notable Tolkien figure inThe War of Rohirrim, the film’s lead is the awe-inspiring Hèra (GaiaWise), his daughter, who previously went unnamed in the canon. Her epic acts of heroism will surely make this film a must-watch for fans who still quote Éowyn’s (Miranda Otto) memorable refrain: “I am no man.“The War of the Rohirrimwill also seeOttoreprise her role as Éowyn, bringing the story full circle.— Maggie Lovitt
The Lord of the Rings: The War of the Rohirrim
The untold story behind Helm’s Deep, hundreds of years before the fateful war, telling the life and bloodsoaked times of its founder, Helm Hammerhand, the King of Rohan.
‘Nickel Boys’
‘Nickel Boys’ Review: RaMell Ross’s Brilliantly Crafted Adaptation Is One of 2024’s Best Movies
This stunning adaptation of Colson Whitehead’s novel feels like it’s breaking new ground with its impressive first-person perspective.
Nickel Boyshas all the makings of a film that could truly dominate at the Oscars. DirectorRaMell Ross’ last film was the astoundingly beautifulHale County This Morning, This Evening, which was nominated for Best Documentary. “Nickel Boys” was also a tremendous success for the book’s writerColson Whitehead, as his follow-up to “The Underground Railroad” earned the Pulitzer Prize for Fiction in 2020.Nickel Boysfollows two boys, Elwood (Ethan Herisse) and Turner (Brandon Wilson), who bond during their times at the horrific Nickel Academy. Years later, the monstrous activities that went on at the school are brought back up through an investigation, which drags all these memories back to light.Nickel Boysis a difficult yet powerful novel from Whitehead, but Ross brings this story to life in a fascinating and unique way that makes it one of the year’s best. This adaptation also features a cast that includesAunjanue Ellis-Taylor,Hamish Linklater,Fred Hechinger, andDaveed Diggsas the older Elwood.Odds are we’re going to hear quite a bit aboutNickel Boyscome award season.–Ross Bonaime
Nickel Boys
Set in Jim Crow-era Florida, two Black teens, Elwood Curtis and Turner, endure the brutal conditions of Nickel Academy, a reformatory for boys. While Turner teaches survival through cynicism, Elwood clings to his belief in justice, despite the horrors around them. Their friendship offers a glimmer of hope amidst a backdrop of systemic racism and violence.
‘The Brutalist’
December 20
‘The Brutalist’ Review: Adrien Brody Gives His Best Performance in This Sprawling, Impressive Epic
Brady Corbet’s epic is one of the most stunning films you’ll see this year.
The Brutalist, from directorBrady Corbet, is by far one of the grandest films of 2024, a film that manages to feel like a throwback to the way movies used to be made, but with a distinctively forward-thinking approach.Adrien Brodygives his best performance yet as László Tóth, a brilliant architect who comes from Europe to America after World War II and attempts to make a name for himself in this foreign land. Despite being 215 minutes and having an intermission,The Brutalistflies by, as we watch Tóth’s genius take shape, whether it’s in creating a series of shelves, or in building a massive structure.The Brutalistalso boasts one of the best supporting casts of the year, withGuy Pearceas Harrison Lee Van Buren, a wealthy man who wants Tóth’s help, and Tóth’s wife, Erzsébet (Felicity Jones), who witnesses the darkness of this new world. Corbet’s direction is assured and gorgeous, creating a grand spectacle that is haunting and impressive.The Brutalisthas all the makings of a Best Picture frontrunner.—Ross Bonaime
The Brutalist
The Brutalist follows visionary architect László Toth and his wife Erzsébet as they flee Europe, aiming to rebuild their legacy in modern America. Their journey takes an unexpected turn when a mysterious and wealthy client alters the course of their lives, intertwining ambition with the challenges of a new world.
‘Mufasa: The Lion King’
In recent years, Disney has found some fascinating directors to work on their live-action remakes of animated classics.A Ghost StoryandThe Green KnightdirectorDavid Loweryhas madePete’s DragonandPeter Pan & Wendy;Craig GillespieofI, Tonyafame directedCruella; and, yes,Guy Ritchiemade their 2019 take onAladdin. But one of the most curious hires for these remakes has got to beBarry Jenkins, director ofMoonlight,If Beale Street Could Talk, andThe Underground Railroad, who is making his first film in six years withMufasa: The Lion King. Some of the best live-action remakes coming out of Disney have had impressive directors putting their own spin on beloved properties (see above titles for examples), and Jenkins seems to be doing that, in this story about the rise of Mufasa in the Pride Lands.The Underground Railroad’sAaron Pierrewill voice the young Mufasa, whileKelvin Harrison Jr.plays the younger Scar, whileSeth Rogen,Billy Eichner, andJohn Kaniwill reprise their roles as Pumbaa, Timon, and Rafiki. It’s been too long since we’ve had a new film by Jenkins, and it sounds like it’s going to be completely unlike anything the director has done before. —Ross Bonaime
Mufasa: The Lion King
Simba, having become king of the Pride Lands, is determined for his cub to follow in his paw prints while the origins of his late father Mufasa are explored.
‘Sonic the Hedgehog 3’
Sonic the Hedgehog 3bringsJim Carreyout of retirement, seesKeanu Reevesvoice the wonderfully brooding bad boy Shadow, and the return ofBen Schwartz’s ever-electric portrayal of Sonic. We’ve seen the blue blur take on mad scientists and vengeful echidnas, but Shadow will surely be his most formidable opposition yet. TheSonicfilms never fully embraced what made the video games special. Green Hills is a small American town, and we’re forcing several human characters in the story, but Sonic 3 feels different. From the trailers alone, it appears to be adaptingSonic Adventure 2in a way that will please both old and new audiences. If Shadow’s origin is as heartbreaking as we know it can be, this will be the most emotional film in the series.Sonic 3 has all the ingredients to become a major hit with viewers of all ages, let’s just hope he doesn’t drop his rings. —Mike Thomas
Sonic the Hedgehog 3
Sonic the Hedgehog 3 is the sequel to the 2022 comedy-adventure movie that featured the Blue Blur and his companions on an adventure to stop Dr. Robotnik from taking over the world. The new film sees the new antagonist Shadow the Hedgehog, arriving to cause trouble for the newly formed trio of heroes, Sonic, Tails, and Knuckles, as they adjust to their earthly lives.
‘Babygirl’
December 25
‘Babygirl’ Review: Nicole Kidman and Harris Dickinson Drama Is No ‘May December’
The director of ‘Bodies Bodies Bodies’ doesn’t bring the necessary nuance to this provocative portrait of power.
If you were sorely (yeah, pun intended — sorry) disappointed by theFifty Shades of Greytrilogy’s rather cliche and toxic depiction of power dynamics,Halina Reijn’sBabygirlis here to offer a heaving breath of fresh air.Nicole Kidmangives her best performance in years as high-strung CEO Romy, who rules the boardroom but secretly wishes someone else would take control in the bedroom. Enter Samuel (the equally impressiveHarris Dickinson), a younger man with a similar appetite who’s eager to indulge her fantasies. Unfortunately, the fact that he’s her intern complicates things — not to mention the fact Romy is married with two children and is carrying a massive amount of shame about her desires. An erotic thriller that harkens back to the ‘80s and ‘90s classics of the genre,Babygirloffers a refreshingly nuanced take on a BDSM relationship.Kidman and Dickinson have an undeniable chemistry, bringing an irresistible sexiness and unexpected playfulness to their roles. Just likeCall Me By Your Nameforever changed the way people look at peaches,Babygirlis sure to do the same for milk. –Taylor Gates
Babygirl follows a high-powered CEO, played by Kidman, who jeopardizes her career and family by engaging in a risky affair with her much younger intern, portrayed by Dickinson. The movie explores themes of power dynamics and desire, drawing inspiration from films likeIndecent ProposalandBasic Instinct.
‘A Complete Unknown’
It goes without saying that we’re in the age of music biopics. This year alone we’ve seen artists such asAmy WinehouseandBob Marleyreceive the treatment, and next year we’ll be treated to films chronicling the careers of artists such asMichael JacksonandBruce Springsteen. However, one of the more interesting projects is easilyJames Mangold’sA Complete Unknown, starring Academy Award nomineeTimothée Chalametas rock pioneerBob Dylan. The movie charts Dylan’s decision to bring the electric guitar into the mainstream, and the pushback he received along the way. While this could easily be just another run-of-the-mill music biopic, one that will helpWalk Hardage even better, the involvement of Mangold does give some hope. After all, it’s not like Mangold hasn’t found success inmaking a music biopicbefore. Chalk in a supporting cast that also includesEdward Norton,Elle Fanning, andBoyd HolbrookasJohnny Cash, well, it’s safe to say I’ll be more than seated for this flick. –Nate Richard
A Complete Unknown
A Complete Unknown: Set in the vibrant New York music scene of the early 1960s, the film follows the journey of 19-year-old Minnesota musician Bob Dylan. It captures his rapid ascent from a budding folk singer to a prominent figure in concert halls and on the charts, highlighting his impact on the music world.
‘The Fire Inside’
There have been plenty ofgreat boxing moviesover the years, fromRockytoRaging Bull, butThe Fire Insidesounds like it has the makings of a film that deserves to stand in their presence.The Fire Insidemarks the directorial debut of cinematographerRachel Morrison, who became the first female nominee for Best Cinematography in Oscars history for her work onMudbound, and has previously collaborated withRyan CoogleronFruitvale StationandBlack Panther.The Fire Insideis also written byBarry Jenkins, who has twice been nominated for Best Adapted Screenplay at the Oscars, forIf Beale Street Could Talk, and winning forMoonlight.The Fire Insidetells the true story of Claressa Shields (Ryan Destiny), who with the help of her coach, Jason Crutchfield (Brian Tyree Henry), becomes the first American woman to win a gold medal at the Olympics for boxing. Early reviews have praised the performances by Destiny and Henry, and the way the film smartly looks at what happensafterthe big win for these athletes. With this incredible team behind it,The Fire Insidecould become one of those iconic boxing movies that stands the test of time.—Ross Bonaime
The Fire Inside
The Fire Inside chronicles the journey of boxer Claressa ‘T-Rex’ Shields from Flint, Michigan, as she trains and becomes the first American woman to achieve an Olympic gold medal in boxing, highlighting her determination and athletic achievements.
‘Nosferatu’
The horror event of the year comes right at the end withRobert Eggers’ remake of the seminal Gothic horror movie,Nosferatu. The 2022 German Expressionist classic is a loose adaptation of Bram Stoker’s Dracula and has given some of the most iconic imagery in horror cinema. Eggers calls inan A-list castofNicholas Hoult,Lily-Rose Depp,Aaron Taylor-Johnson,Willem Dafoe, andBill Skarsgårdas the titular vampire. Set in the 19th century, the movie is set to follow the same premise as the 1922 original, as Thomas Hutter is sent to visit Count Orlock who wishes to buy a property in his hometown. Thomas’ wife, Ellen, has violent premonitions of the horrors her husband’s new client will bring, as the movie follows Count Orlock’s journey to the oblivious, sleepy town. Eggers has more than shown he’s up to the task of bringing one of the most famous horror stories to a modern audience. His feature debut,The Witch, helped to set the tone of A24’s dominance of a new brand of horror (what some may call “elevated”) andThe Lighthouseis an awe-inspiring descent into psychological horror, terrorizing audiences in moody black-and-white. Horror fan or not,going off the early reactions,Eggers’Nosferatuis one you’ll want to experience in theaters.—Emma Kiely
In Nosferatu, a reclusive vampire’s presence disrupts a small European village, drawing an unsuspecting young couple into a battle against an ancient evil. As fear spreads, the villagers must confront the terrifying legend and their own beliefs, leading to suspenseful confrontations and chilling revelations.
‘Wallace & Gromit: Vengeance Most Fowl’
‘Wallace & Gromit: Vengeance Most Fowl’ Review: Aardman’s Beloved Duo Is Back on Top
Feathers McGraw steals the show in this safe but fun return to form.
It’s truly wild that it will have been twenty years since the highly underratedWallace & Gromit: The Curse of the Were-Rabbitonce Aardman Animations releases the latest adventure from this inventor and his dog.Wallace & Gromit: Vengeance Most Fowl, however, is well worth the wait, as these two face off against the despicable Feathers McGraw. Not only that, but Gromit also has to worry about being replaced, as Wallace has created a series of smart gnomes, known as Norbots, who can do everything around the house. Aardman’s last few films haven’t quite been the quality that one expects from Aardman, butVengeance Most Fowlputs the animation studio back on top with delightful and hilarious return for their two biggest stars. —Ross Bonaime
Wallace & Gromit: Vengeance Most Fowl
Wallace becomes overly reliant on his latest invention, a “smart gnome,” which soon spirals out of control. Gromit’s suspicions grow when it’s revealed that their old nemesis, Feathers McGraw, might be behind the chaos.
‘Hard Truths’
January 10
‘Hard Truths’ Review: Mike Leigh’s Newest Movie Features One of the Year’s Best Performances
Mike Leigh and Marianne Jean-Baptiste reunite for this hilarious and heartbreaking look at hate versus acceptance.
At 81 years old, there’s still no one making deep, heartbreaking, and powerful character studies quite likeMike Leigh. With his latest,Hard Truths, Leigh reunites withMarianne Jean-Baptiste, and their last collaboration, the excellentSecrets & Lies, earned Jean-Baptiste an Oscar nomination, and once again, she deserves a nomination for her work here. Jean-Baptiste plays Pansy, a woman who is always angry, ready to fight with anyone who gives her the slightest reason, which even keeps her husband (David Webber) and son (TuwaineBarrett) in complete silence. When her sister Chantelle (Michele Austin) tries to explore why her sister is the way she is, she starts to realize where Pansy’s anger comes from.Jean-Baptiste gives one of the best performances of the year inHard Truths, and once again, Leigh proves that he’s a master filmmaker who still makes incredible work. —Ross Bonaime
Hard Truths
Hard Truths, released in 2025, is set in post-COVID London and follows Pansy, a working-class Black woman dealing with the aftermath of global panic, navigating a fractured psyche amid ongoing personal and societal challenges.
‘The Last Showgirl’
‘The Last Showgirl’ Review: Pamela Anderson Dazzles and Devastates in Stunning Drama
Gia Coppola’s latest directorial endeavor is a loving ode to the dreams we leave behind, and the ones we can’t let go.
Between Playboy andBaywatch,Pamela Andersonwas an icon of the ‘90s, and though she took a step back from Hollywood in recent years, she’s making her well-deserved return to the spotlight as of late. 2023 saw the release of her critically acclaimed documentaryPamela, a Love Story, which saw her strip down and get real about her bittersweet experiences. 2024 continues her raw approach to storytelling, this time playing a character with whom she has more than a few similarities.Gia Coppola’sThe Last Showgirlsees her take on the role of Shelly, a woman whose life is turned upside down when her Vegas act — to which she has devoted the last three decades — abruptly announces its closure. Shelly, who tends to cling to her glory days, has to reckon with the ever-changing culture and choices she made, especially concerning her daughter, Hannah (Billie Lourd).Jamie Lee CurtisandDave Bautistagive excellent performances alongside Anderson, but her dynamic with the show’s younger dancers — played byKiernan ShipkaandBrenda Song— is the highlight of the film.A beautiful character study deftly exploring topics of aging, womanhood, and class,The Last Showgirlwould make a great triple feature with two of the year’s other greats,The SubstanceandAnora. –Taylor Gates
The Last Showgirl
A veteran Las Vegas showgirl reassesses her life and relationships after her long-running show abruptly ends. This drama explores themes of resilience, family dynamics, and the pursuit of new beginnings amidst personal and professional upheavals.
‘The Room Next Door’
‘The Room Next Door’ Review: Julianne Moore and Tilda Swinton Face Death Together | Venice 2024
Pedro Almodóvar’s first English language feature is still distinctly him.
For his first English-language feature, writer-directorPedro Almodóvarenlists two of the best actresses working today.Julianne Moorestars as Ingrid, who discovers her old friend, Martha (Tilda Swinton), has cancer, and the two strike up their friendship once more. The two get close once more, and the pair discuss their pasts, including Martha’s history as a war reporter, and their old loves, while Martha deals with her illness. Based on theSigrid Nunezbook,What Are You Going Through,The Room Next Dooris an interesting film by Almodóvar, a film that feels inherently like his work, with the vibrant colors and the excellent female leads, but without the grand amounts of melodrama that often permeate his films.It’s a strong work from a filmmaker who is still challenging himself after decades of great work.—Ross Bonaime
The Room Next Door
The Room Next Door follows two former friends who reconnect in a unique and emotional circumstance. Based on the novelWhat Are You Going Throughby Sigrid Nunez, it explores themes of friendship, loss, and reconnection.
‘I’m Still Here’
January 17
‘I’m Still Here’ Review: Family Political Drama Is One of the Year’s Best | LFF 2024
The movie tells the real-life story of the Paira family.
FromWalter Salles, director ofThe Motorcycle DiariesandOn the Road, comes maybe his best work yet, with the powerful true story,I’m Still Here. Set in the military dictatorship of 1970s Brazil, the Paiva family is shaken when their father Rubens (Selton Mello) is taken for questioning and doesn’t return. Desperate to find her husband, Eunice Paiva (Fernanda Torres) does everything she can to figure out where her husband was taken and shows the lengths she’ll go to get him and her family back. Torres gives a tremendous performance as Eunice, one of the year’s best, as she tries her best to be strong in her mission, while also still trying to be a mother.I’m Still Hereis full of powerful moments when Eunice has to put on a strong face for her family, holding back the pain and exhaustion that she feels to keep her family in some state of normalcy.I’m Still Hereisn’t just one of the best international films of the year, it’s one of 2024’s best.—Ross Bonaime
I’m Still Here
I’m Still Here delves into the tumultuous era of 1970s Brazil, focusing on Eunice Paiva’s enduring quest to uncover the fate of her husband, Rubens Paiva, who disappeared during the dictatorship. As she nears the truth after decades, Eunice is confronted with the onset of Alzheimer’s, adding urgency to her search.
‘Wolf Man’
It’s been a decade since the new generation of Universal Monsters officially kicked off, and it has been an achingly slow drip-feeding ever since. 2017’sThe Mummydidn’t exactly inspire confidence, butLeigh Whannell’s take onThe Invisible Manseemed to breathe new life into the idea, and things have been plodding along since, withWolf Mannext up for a reimagining. After initial plans withRyan Goslingand directorDerek Cianfrancefell through, the project ended up in the capable hands of Whannell, whose horror background and success with reinvigorating old Universal properties seems promising, and the participation ofJason Blumpoints to a crowd-pleasing, if not overly intelligent, take on this beastly favorite. Although sneak peeks at the new wolf man design were somewhat divisive, they suggest that the titular character is being taken in a different direction than his previous incarnations, adding much intrigue to this long-awaited reboot.Christopher Abbottis set to star, alongsideJulia GarnerandMatilda Firthas the wife and daughter trapped in a house with the man they love, who is changing in monstrous ways. –Luna Guthrie
‘Back in Action’
It’s been eleven years sinceCameron Diazlast appeared in a film, with 2014’sAnnie. But now, Diaz is back in the Netflix action-comedyBack in Action, starring alongsideJamie Foxx. Diaz and Foxx star as a pair of CIA spies, who gave up their lives in the agency to start a family. But years later, they’re brought back into that world when their cover is blown. While Netflix action-comedies can be a bit shaky,Back in Actiondoes have an impressive team behind it, includingAndrew Scott,Jamie Demetriou,Kyle Chandler, andGlenn Close, not to mention it’s directed and co-written bySeth GordonofThe King of KongandHorrible Bossesfame. Diaz has several more projects in the works as well, andit’ll be great to see her make her return withBack in Action.—Ross Bonaime
Back in Action
‘Levon’s Trade’
All the way back in January of 2024,Jason Stathamstarred inThe Beekeeper, a sort of goofy action film that ended up making $152 million worldwide, and stayed in the top three movies at the box office for an entire month. It looks entirely likely that Statham will continue this trend in 2025 withLevon’s Trade, an adaptation ofChuck Dixon’s book series. Statham stars as the titular Levon Cade, a former black ops agent who now works in construction, but has to return to his old ways when his boss’s teenage daughter gets kidnapped. Statham reunites with hisThe BeekeeperdirectorDavid Ayer, who also wrote the screenplay with none other thanSylvester Stallone.Levon’s Tradealso starsDavid Harbour,Michael Peña, andJason Flemyng, of whom Statham has worked with on severalGuy Ritchieaction thrillers in the past.Levon’s Tradehas all the makings of another huge January action film for both Statham and Ayer.—Ross Bonaime
A Working Man
Based on the book series by Chuck Dixon, A Working Man is an action-thriller directed by David Ayer and starring Jason Statham as the titular hero. Levon Cade (Statham) left his “profession” behind to live a simple life working construction and spending time with his daughter. But when his boss’s teenage daughter vanishes, he’s called upon to re-employ the skills that made him a legendary figure in the shadowy world of black ops. Levon’s hunt for the missing college student takes him to the heart of a sinister criminal conspiracy creating a chain reaction that will threaten his new way of life.
‘Presence’
‘Presence’ Review: Steven Soderbergh’s Ghost Story Is an Inventive Delight
35 years after making a splash at Sundance, Steven Soderbergh and David Koepp return with a formally fascinating take on the ghost story.
Considering how many different genres he’s explored and his penchant for shooting with cheap, handheld technology, it’s sort of shocking thatSteven Soderberghhas never made a horror movie before. But withPresence, Soderbergh creates his own spin on a ghost story, as a family moves into a house and becomes aware of a…presence that is with them. The family starsLucy LiuandChris Sullivanas the parents who may not have things together as much as it might seem, and their superstar son, Tyler (Eddy Maday). ButPresenceis also a spotlight forCallina Liang, who plays the daughter Chloe, and who has a strong connection with whatever is going on in the house. Told from the first-person perspective of the “presence,“Soderbergh has made an innovative twist on the horror film that fits perfectly within his filmography. —Ross Bonaime
Showcases a suburban house inhabited by an mysterious entity.
‘Flight Risk’
January 24
Well, it’s the middle of the decade, so it’s time forMel Gibsonto decide he wants to direct a film again. Gibson hasn’t directed a film since his 2016’sHacksaw Ridge, which earned him a nomination for Best Director and a Best Picture nomination. And say what you will about Gibson, but withHacksaw Ridge,Apocalypto, andBraveheart, Gibson has proved he’s a solid director of intense action, and it looks like we’re getting more of that withFlight Risk. This three-hander starsMichelle Dockeryas FBI agent Madelyn Harris, who is transporting an informant Winston (Topher Grace) on a small plane, piloted by Daryl Booth (Mark Wahlberg). However, once they’re in the air, Daryl reveals he’s a hitman ordered to assassinate Winston. While also flying. The first trailer makes it look likeFlight Riskcould be some goofy, thrilling fun, and hey, at least Gibson making this film means he’s not taking up his time withThe Passion of the Christ 2—a very real thing. —Ross Bonaime
Flight Risk
‘Love Me’ Review: Kristen Stewart & Steven Yeun Fall in Robot-Love
Can a smart buoy and a satellite fall in love after all of humanity is gone?
There are weird love stories, and then there’sLove Me, in which after mankind’s extinction, a buoy named Me (Kristen Stewart) meets a satellite named Iam (Steven Yeun) on the internet, and the two computer programs fall in love. At first,AndrewandSam Zuchero’s film feels a bit likeWALL-E, as we watch two machines come to grips with an emotion they’ve never felt before, but quickly, this relationship evolves in compelling and odd ways that make this unlike any love story you’ve ever seen before. And of course, both Stewart and Yeun are solid as both the voices of these machines, but also portray almost avatar-like versions of these machines later on in the film.Love Meis a wild take on a love story, but it’s certainly a unique one. —Ross Bonaime
A love story between a satellite and a buoy.
‘You’re Cordially Invited’
January 30
Weddings are a nightmare to plan as it is, but finding out that the venue is double-booked is an absolute nightmare. That’s what happens inYou’re Cordially Invited, in which a bride (GeraldineViswanathan) and her father (Will Ferrell) find out that her wedding venue has also been booked by a wedding planner (Reese Witherspoon) and her sister (Meredith Hagner); and yet both sides decide to share the venue. The cast alone is worth getting excited about this one, butYou’re Cordially Invitedis also written and directed byNicholas Stoller, who has made such great comedies asForgetting Sarah Marshall,The Five-Year Engagement, andNeighbors, which is absolutely a good sign for this one. —Ross Bonaime
You’re Cordially Invited
You’re Cordially Invited follows a woman planning her sister’s wedding and a father organizing his daughter’s nuptials, who discover their ceremonies are double-booked at a remote resort on a Georgia island. As both parties agree to share the venue, unforeseen chaos and comedic disaster unfold.
‘Companion’
January 31
Barbarianwas one of the biggest surprises of 2022, it was a movie that was built on constantly throwing your expectations out the window. WhileZach Cregger’s next directorial vehicle,Weapons, isn’t due out until January 2026, he did produce this mysterious new horror flick ominously titledCompanion. Theteaser trailer, which was released a few months back, didn’t reveal much of the plot, outside of the always lovelyJack Quaidplaying a less-than-lovely boyfriend toSophie Thatcher’s character. Why are some of these characters’ eyes going blue? How does Sophie Thatcher not seem all that phased while she’s lighting herself on fire? What’s with that quick peek at Jack Quaid dancing in a dinosaur costume? If Barbarian is anything to go by. IfBarbarianis anything to go by, the answers to those very questions are probably not going to be what we expect. Not too long ago, it felt like a death sentence when a horror movie was slated for a January release. But after movies likeM3GANandSplit, I can’t help but have faith inCompanion. After all,any movie that advertises itself as coming from the same “deranged minds” behindBarbariansurely will have more than a few tricks up its sleeve.—Nate Richard
Companion is an upcoming psychological thriller crafted by writer-director Drew Hancock.
In my grade school days, I religiously read and rereadDav Pilkey’sCaptain Underpantsbooks, and when the DreamWorks movie was released back in the summer of 2017, I was hit with a massive wave of nostalgia. I’m not as familiar with Pilkey’sDog Mangraphic novels, he started writing those long after I aged out of his target audience. But when the trailer was released, I was instantly smitten. For those who are uneducated,Dog Manbegins after a big city cop and his trusty canine sidekick are mortally wounded in an explosion. In order to keep the best buds alive, the good folks at the hospital give them a life-altering surgery, which leads to the birth of the beloved hero who can only be known as Dog Man. When Petey (Pete Davidson), the world’s most evil cat threatens to eliminate all do-gooders, Dog Man is called into action to save the day. With colorful animation and laughs a-plenty,Dog Manlooks delightful. This clearly isn’t going to join in the ranks of some of DreamWork’s other recent fare likeThe Wild RobotandPuss in Boots: The Last Wish, but it really doesn’t need to. Give us a cute half-dog, half-man cop, saving the day and doing all the things that dogs do, and you’ll win over the hearts of everyone, or at least you’ll have my heart. —Nate Richard
‘Heart Eyes’
February 7
DirectorJosh Rubenhas been an exciting new voice in horror so far in the 2020s, with his debut film,Scare Me, playing out as a gleefully uncomfortable film told in one location, while 2021’sWerewolves Within, was not only a charming horror comedy with an excellent cast, but it’s also one of the best video game adaptations. With his latest film,Heart Eyes, Ruben seems to be embracing his slasher side, as the Heart Eyes Killer goes around killing couples on Valentine’s Day. Two co-workers (played byOlivia HoltandMason Gooding) are mistaken for a couple and have to run from this killer on this romantic holiday. After seeing what Ruben has been able to do with his first two films, and how he’s able to blend horror and comedy equally,Heart Eyesis one of 2025’s first horror films to get very excited about.—Ross Bonaime
Heart Eyes
In Heart Eyes, two co-workers working late on Valentine’s Day are mistaken for a couple by the infamous Heart Eyes Killer. Directed by Josh Ruben and written by Michael Kennedy and Christopher Landon, the film stars Mason Gooding and Olivia Holt.
‘Love Hurts’
It took far too long forKe Huy Quanto get back on the movie screen, but with his Oscar-winning performance inEverything Everywhere All at Once, Quan proved once again that he’s an incredible star. In 2025, Quan will get the opportunity to lead his own film with the action-comedyLove Hurts, in which he plays Marvin Gable, a realtor who has a dark past as a hitman. His former partner reveals that Marvin’s brother, Knuckles (Daniel Wu), is now hunting him, sending Marvin back to the life he thought he left behind.Love Hurtsalso features a cast that includesAriana DeBose,Marshawn Lynch,Rhys Darby, and Quan’s formerThe Gooniescastmate,Sean Astin.It’s about time that Quan had a movie of his own.—Ross Bonaime
Love Hurts
Marvin Gable, a realtor, is drawn back into his criminal past after receiving a message from a former partner he thought was dead. Now hunted by his crime lord brother, Knuckles, he must confront the consequences of his past and the history he never fully escaped.
‘Captain America: Brave New World’
February 14
TheCaptain Americafilms have always been the best in the MCU, but things have changed since we last saw The First Avenger on the big screen. Steve Rogers (Chris Evans) is gone, and Sam Wilson (Anthony Mackie) has taken on the mantle, breathing new life into Marvel thriller.Captain America: Brave New Worldchallenges Sam as he becomes a symbol. A lot of weight comes with the shield, but he’s more than willing to carry every single burden. It’s no secret that the Marvel Cinematic Universe has had its fair share of criticism post-Endgame, so it will be nice to see the MCU go back to basics. There are no multiversal threats or infinity stones to seek out.Brave New Worldis a paranoid thriller pushing Captain America to his limits, and that’s all we ever wanted to see in the first place. —Mike Thomas
Captain America: Brave New World
Fourth movie in the Captain America franchise.
We couldn’t let the recent trend of milfs sleeping with much younger men go by without letting Bridget Jones get in on the fun now could we? The iconic clutz is back for a fourth movie that promises to be her final outing. Based on the book byHelen Fielding,Renée Zellweger’s Bridget is now a mother of two, and, sadly, a widow. Some fans were outraged when the trailer revealed thatColin Firth’s Mark Darcy had been killed off, even though the book was released 12 years ago. But one door closes, a window opens, asHugh Grant’s charming but seedy Daniel Cleaver returns and seems to be something of an ally for Bridget. Navigating being single again with two children, Biridget gets caught in yet another love triangle. There’s the dashing teacher at her children’s school (Chiwetel Ejiofor) and a new toy boy referred to as the “tree adonis” (The White LotusandOne Daybreakout starLeo Woodall). Is Bridget ready to get back out there? And if so, does she want a prince Charming or a stable boy? From there, the movie looks to be a little more family-friendly while still promising lots of “shagging.” AfterBridget Jones’ Babyfailed to capture the sharp humor and wit of the first two movies,we can only hope Bridget Jones’ swan song is a worthy farewell.—Emma Kiely
Bridget Jones: Mad About The Boy
Widowed for four years, Bridget Jones raises her children while supported by friends and family. Pressed to rebuild her life, she returns to work and explores dating, meeting a younger man. Balancing romance, work, and motherhood, Bridget navigates pressures from all parts of her social and family life.
‘Paddington in Peru’
How do you improve upon perfection? Soon after it was released in 2017,Paddington 2became unironically beloved by seemingly everyone who saw it, revitalized the career ofHugh Grant, made a clever take on prison reform,andled to a great newNic Cagemoment. Which is to say,Paddington in Peruhas a lot to live up to when it releases in February. This time around, Paddington brings the Brown family with him to his home in Peru, as he visits his Aunt Lucy. But of course, things aren’t as simple as that, as Paddington and the Brown family embark on an unexpected adventure along the way. Joining the cast isEmily Mortimer, taking the place ofSally Hawkinsas Mary Brown, and introduces us to new characters played byAntonio BanderasandOlivia Colman. But maybe most important is that directorPaulKinghas stepped away from the franchise, with the latest installment coming fromDougal Wilson.Paddington is back, and anyone who doesn’t like it is going to get a hard stare.—Ross Bonaime
Paddington in Peru
Paddington in Peru, directed by Dougal Wilson, follows Paddington Bear as he travels to Peru to visit Aunt Lucy at the Home for Retired Bears. Joined by the Brown Family, they embark on a thrilling journey through the Amazon rainforest and the mountain peaks of Peru after encountering a mystery.
‘The Day the Earth Blew Up: A Looney Tunes Movie’
February 21
Remember how we were supposed to getCoyote vs. Acme, but the finished film was cancelled for a tax write-off? Well, that really sucked, and it still does (#ReleaseCoyoteVsAcme), but at the very least, wearegetting a new Looney Tunes movie in 2025.The Day the Earth Blew Up: A Looney Tunes Moviestars Porky and Daffy, who discover an alien mind control plot while…in a bubble gum factory. Of course they did. It’s been too long since we’ve seen the Looney Tunes on the big screen (sorry,Space Jam: A New Legacydidn’t happen and must’ve been a fever dream for all of us), and while this almost feels like a consolation prize afterCoyote vs. Acme, at least we’re getting some new looney antics soon. —Ross Bonaime
The Day the Earth Blew Up: A Looney Tunes Movie
Porky and Daffy will save the day, when they uncover a secret alien plan to control minds.
‘The Monkey’
Osgood Perkinsmade a huge name for himself earlier this year with the surprise hit,Longlegs, and less than a year later, we’ll get to see his follow-up withThe Monkey. Based on the short story of the same name byStephen King, twin brothers Hal and Bill (both played byTheo James, with the younger brothers played byChristian Convery), find their dad’s old monkey toy in the attic, and disturbing deaths start happening all around them. Even after getting rid of the toy, however, the deaths continue, as they try to get rid of this cursed monkey once and for all. In addition to James and Convery,The Monkeyalso starsTatiana MaslanyandElijah Wood. After the unsettlingLonglegs,it’ll be interesting to see what Perkins can do with King’s workand…a creepy toy monkey. —Ross Bonaime
The Monkey
The Monkey is based on Stephen King’s 1980 short story of the same name. The plot follows twin brothers Hal and Bill, played by Theo James and Christian Convery, who discover a cursed monkey toy in their father’s attic. The toy is linked to a series of gruesome deaths, forcing the brothers to confront its dark power years later.
