Francis Ford Coppola’sThe Godfatheris hailed asone of the greatest gangster films of all time, known for its complex characters, gripping storytelling, and realistic portrayal of organized crime. Despite its authenticity in many areas,Mario Puzo’s story takes creative liberties with certain elements of mafia culture to enhance the drama. One of the biggest departures from reality occurs during Michael Corleone’s (Al Pacino) infamous assassination of mob boss Virgil Sollozzo (Al Lettieri) and Captain McCluskey (Sterling Hayden) in the Italian restaurant.
The graphic scene is pivotal—not just for Michael’s character development but also for the trajectory of the entire story.According to former mobster Anthony Ruggiano Jr., in a video interview withInsider, many of the events that take place inThe Godfatherwould never happen in the mafia.“It was real Hollywood”, Ruggiano Jr. states. While two major details of the shootout were historically inaccurate, they were a necessary storytelling choice that madeThe Godfathersuch a giant in the cinematic world.
In ‘The Godfather’, Michael’s Iconic Restaurant Scene Is a Romanticized Take on Real Mob Killings
The Godfatheris a masterful piece of cinema and a testament to Hollywood’s cultural impact. However, at the end of the day, movies are not documentaries. Coppola’s first installment is packed with iconic scenes, but to achieve such perfection comes with building shock and awe. Throughout the bulk of the film, Michael Corleone is resistant to being involved with his family’s dangerous business. After his father, Don Vito Corleone (Marlon Brando), is nearly assassinated,he takes a drastic step to protect them.
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An unintentional plot device you can’t refuse.
The restaurant shootout is brilliantly acted and directed, from the tension of Michael retrieving the hidden gun from the restroom to the sudden, violent execution of both men. However, one major aspect of this moment strays from how mob killings were actually carried out.The scene unfolds with a sense of methodical precision that romanticizes every step.In reality, the mafia rarely staged elaborate sit-downs before carrying out a murder.
The real-life approach was usually much simpler. PerInsider,Ruggiano Jr.notes, “The guys would go in and commit the murder and then leave.They wouldn’t be sitting at the table, having a conversation, then shoot the guy.” The drawn-out suspense of Michael’s dinner with Sollozzo and McCluskey, along with the time he spends retrieving the gun, makes for a gripping scene, but it’s largely the director’s vision. Without the added theatrics, Michael wouldn’t have been given the proper build-up and shock value his character arc needed—a creative twist that was absolutely genius.
Michael Corleone Killing a Cop Is an Unrealistic Depiction of the Mob’s Unspoken Rule
Michael Corleone’s journey from a war hero to the ruthless head of the family isone of the greatest character arcs in film history. The restaurant assassination is the defining moment in that journey. By choosing to kill Captain McCluskey and Sollozzo, Michael crosses a line that forces him to go into hiding in Sicily and ultimately return as a hardened man ready to take over his father’s empire—a path he can never turn away from.
Another crucial detailThe Godfatherfilm alters from reality is the killing of a police officer.One of the unspoken rules of the mafia was to avoid killing members of law enforcement. Organized crime syndicates thrived on secrecy, maintaining power through bribery rather than open violence against government officials. Killing a police officer, especially someone as high-profile as Captain McCluskey, would bring immense pressure from the law and the government, resulting in the possible dismantling of entire crime families.
The murder of a police officer means theCorleones can no longer operate quietly in the shadows. This is whyMichael’s decision to kill McCluskey in the public restaurant is such a “badass” move.It goes against the conventional mafia strategy, making his actions all the more jaw-dropping. Anthony Ruggiano Jr. confirms in the interview, “First of all, to kill a police captain, that was pretty much unheard of, even though he was corrupt. I mean, back then, mostly all the police officers in New York were corrupt.” HadThe Godfatherstuck to real-life depictions, the film wouldn’t have accomplished the same emotional weight or narrative impact. The changes made the story’s mythos grand, creating a legendary franchise for decades.
The Godfather
