Warner Bros. has a reason to smile this weekend, as the studio’s year-long strategy of releasing new films simultaneously in theaters andon the HBO Max streaming servicefinally paid off.Dune, directed byDenis Villeneuveand based on the epic science-fiction novel byFrank Herbert, registered WB’s biggest opening at the box office this year, raking in $40.1 million in its first three days.
That’s around $10 million more than whatGodzilla vs. Kongmade in its opening weekend back in April. In the weeks after the monster movie’s hugely successful run, other WB titles such asThe Suicide Squad,Space Jam: A New Legacy, andIn the Heights— just to name three — have tanked at the box office, with many pointing fingers at the studio’s controversial day-and-date release strategy as the reason behind their subpar performance.
But despiteVilleneuve’s vocal protestsagainst his sprawling film potentially being watched on smartphones, the HBO Max audience doesn’t seem to have impacted the film’s box office performance to a worrying degree. In a recent interview with Variety, WB chairAnn Sarnoffsaid that they’d also be looking at streaming numbers as they deliberate the $165-million-question that is on every fan’s mind: WillDuneget the sequel that Villeneuve wants? An additional $87 million internationally this weekend took the film’s worldwide total to over $220 million, much to the delight of Warner Bros.
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Despite a performance that is inarguably inferior to its immediate predecessor’s, directorDavid Gordon Green’s horror sequelHalloween Killsclaimed the number two spot this weekend, bringing in another $14 million for a running domestic total of $73 million. Green’s originalHalloweenfinished with over $250 million worldwide, and earned far superior reviews. But Universal understands that the return-on-investment is high on these movies, and a third installment has already been set for an October 2022 release.
Daniel Craig’s fifth and final James Bond film,No Time to Die, finished the weekend at the number three spot, with $11.8 million, taking its domestic total to a ho-hum $120 million. Directed byCary Joji Fukunaga, the film opened with $55 million in its first weekend — the fourth-lowest of the Craig Bonds — suggesting that perhaps its older-skewing target demographic still isn’t comfortable heading to theatres.
But directorAndy Serkis’Venom 2successfully attracted its much younger core demographic when it opened to a record-setting $90 million. The film made another $9.1 million in its fourth weekend, taking its domestic total to $181 million. It still has a lot of catching up to do internationally, where it currently sits at around $350 million, roughly half-a-billion short of the firstVenomfilm’s final worldwide haul in 2018.
The top five was rounded out by the animated filmRon’s Gone Wrong, a theater-exclusive title that Disney inherited in its takeover of 20th Century Fox. Featuring the voices ofZach Galifianakis,Jack Dylan Grazer, andEd Helms, the film finished its debut weekend with $7.3 million, but received a promising “A” CinemaScore from opening day audiences.
Next week could present a face-off for the top spot between two acclaimed filmmakers. While Villeneuve and WB would no doubt want a repeat of this weekend, directorEdgar Wrightcould pose a challenge with his psychological thrillerLast Night in Soho.
