The recent Halloween trilogywas a gift and a curse to fans of the horror franchise that has been tougher to kill than Michael Myers himself. At a point when even die-hard fans believed the series would be left like a rotting pumpkin,Halloween(2018),Halloween Kills(2021), andHalloween Ends(2022)did a lot right.They became influential in the slasher revival,turned Michael back into “the Shape,” and reunited him with his favorite enemy,Jamie Lee Curtis’s Laurie Strode.But this trilogy wouldn’t do everything right. Following the restrained 2018 reboot, the overstuffedHalloween Killshas a bigger cast that gets lost in the bigger, bloodier kill count. However,the best part ofKillsis also a high point in the franchise, when a small town finds out that they can’t kill the boogeyman.
The Mob Rule of ‘Halloween Kills’ Has Been Attempted Before in the Series
Haddonfield in 2018’sHalloweenis a more diverse, busy community, but the movie doesn’t get too broad. It chooses to confine its plot to an older Laurie Strode (Curtis), who, along with her daughterKaren (Judy Greer)and her granddaughter Allyson (Andi Matichak), has a chance to put an end to the slasher. If only burning him alive in Laurie’s house had worked.Halloween Killspicks up right away. Michael escapes the inferno, and the sequel branches out intohow the people of Haddonfield react to learning he is at large.
Tommy Doyle (Anthony Michael Hall), a survivor of Halloween night 1978, takes charge of a vigilante mob that is filled with legacy characters and newly introduced residents. “Evil dies tonight!” is said too many times, going from a rallying cry to a hammy chant. But those three words aside,Tommy’s makeshift army of angry citizens lashing out is one of the best additions to the franchise.It turns Haddonfield into a lived-in community, not just a few houses for Michael to invade. It’s also a concept that 1988’sHalloween 4attempted with a smaller hunting party.
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Jamie (Danielle Harris) and Rachel (Ellie Cornell)are in big trouble in the fourthHalloweenmovie when Michael is hunting them, and he has decimated the town’s police force.Dr. Loomis (Donald Pleasence)finds help elsewhere, alerting the local men at the bar to get armed and find the slasher. Their efforts are in vain when they accidentally kill a drunk man, and eventually, Michael takes them out. The vigilante justice these men attempt is not as big as what gathers momentum inHalloween Kills. Once the mob forms, it changes the formula that the previousHalloweenentries have stuck to,where Michael is the sole hunter. In previous entries, it is often a single character who tries to warn everyone about Michael. InKills, modern-day Haddonfield is aware of the threat, and they overcompensate for the horrors of the past they wanted to forget.
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One of the many nights “He Came Home.”
It’s inevitable that the eruption of their rage will go wrong, and, like in the 1988 installment, it causes the death of the wrong man.The message about a community’s trauma getting muddled by the extravagant brutality of the kills, but the large group striking back against an unstoppable monster raises the stakes considerably. “Rampage” and “Hallway Madness” on the soundtrack feel as volatile as Michael’s wrath or the mob’s violence. Although the transition between the extreme gory escalation ofKillsand the quieter focus on Corey Cunningham (Rohan Campbell) inHalloween Endsis not a smooth one,the final chapter of the trilogy does attempt to continue examining the version of Haddonfield seen inKills.
The Mob of ‘Halloween Kills’ Led to the Story of ‘Halloween Ends’
“There will be no empathy!” Tommy yells in his motivational speech. It’s a line that resurfaces inEnds,where Haddonfield quite literally is without empathy. Many residents are overtlycruel to the town pariah, Corey.Michael Myers has disappeared, but his darkness has been left behind. Even thoughthe ending confirms that darkness won’t go away, as “evil changes shape,”it is still cathartic in the finale to see the residents form a procession to watch Michael’s corpse be destroyed. After the chaos ofKills, the community might get to heal.
The recent trilogy isn’t perfect, but it does pump in fresh blood with the mob storyline. For all the hammy moments inHalloween Kills, watching a small town turn into a makeshift armyis an exciting departure from the formula of the many other sequels.There are no babysitters and noslow-burn horror.Residents accept there is a monster, and noble intentions clash with irrational thinking on a Halloween night where evil didn’t die.
Halloween Kills
