Despite being one of the greatest actors of all-time,Marlon Brandowas a risky actorto cast in the early 1970s. Brando had amassed the reputation of being a brilliant, but notoriously difficult-to-work-with actor, thanks to his experiences withElia Kazanon the groundbreaking dramasOn the WaterfrontandA Streetcar Named Desire. No one could doubt Brando’s brilliance,but that didn’t mean that his personality made him very fun to work with. Even when Brando seemed “uncastable” due to the stories circulating about his off-screen activities, he managed to have a major comeback role in 1972 when he took on perhaps his most beloved role as Don Vito Corleone inFrancis Ford Coppola’s gangster film masterpieceThe Godfather. Working with Brando was in Coppola’s favor, but that didn’t mean that the notoriousThe Wild Onestar didn’t present some difficulties on set. In fact, Brando voiced his opinion on who would be playing his onscreen son well before the cameras started rolling. In a different world, it would’ve beenBurt Reynolds, andnotAl Pacino, who was starring as Michael Corleone.

The Godfather

Don Vito Corleone, head of a mafia family, decides to hand over his empire to his youngest son, Michael. However, his decision unintentionally puts the lives of his loved ones in grave danger.

Why ‘The Godfather’ Needed Marlon Brando

AlthoughThe Godfatheris now recognized as one of the greatest films of all-time,the novel that it was based uponbyMario Puzowasn’t exactly a literary classic. While entertaining (and a major bestseller at the time of its initial debut),The Godfatherwas a rather standard airport read. Coppola’s ambitions for the film were greater than the source material;he wanted to transform what was otherwise a standard gangster story into a complex analysis of family, legacy, American politics, and power. In order to do so, Coppola knew that he needed to cast thebest actors imaginable for each rolein order to ensure that the film’s dramatic material was treated with the sensitivity that it needed.

Coppola’s casting process was notorious, as he had to deal with pressure from Paramount Pictures and producerAl Ruddyto make a film that could also be commercially viable. Although Al Pacino,James Caan, Robert Duvall,andSterling Haydenare all household names, they weren’t exactly “movie stars” beforeThe Godfathertook their careers to the next level. Coppola knew thatin order to satisfy Paramount’s desire for a box office hit, he needed to cast a major star as the senior gangster Don Vito Corleone. Brando made perfect sense — he had the experience of working within the industry for several years, and could easily slip into the role of such a veteran family man. He was perfect for the role, but Brando’s popularity also meant that audiences might be more willing to check outThe Godfatherthan they would be if the film had starred a bunch of unknown actors.

The Godfather Poster

Marlon Brando Made Filming Christopher Reeve’s ‘Superman’ a Nightmare

‘The Godfather’ star was Christopher Reeve’s Kryptonite.

This meant getting Brando and making him happy was of the utmost importance, and that the film’s casting department would have to yield to his demands. Although Coppola felt that Reynolds would be perfect for the role of a young, initially innocent war veteran like Michael,Brando didn’t see it that way.Brando allegedly threatened to quit the production if Reynolds was hired, forcing Coppola to expand the casting process to find the perfect Michael Corleone. Reynolds didn’t appear to be all that upset about the whole ordeal. He reflected that he was “flattered” that Brando cared so much. Ironically, Brando reportedly didn’t want Reynolds involved with the film because he felt that he was a narcissist.

Burt Reynolds Was Almost Michael Corleone in ‘The Godfather’

Although it now seems unfathomable that anyone but Pacino could play Michael, the notion ofReynolds playing the elder Corleone son actually made a lot of sense at the time ofThe Godfather’s release. Pacino was an unknown stage actor at the time, and although he had shown promise onscreen with his role in the drama filmThePanic in Needle Park,The Godfatherwas the first film that truly established him as a movie star. Reynoldswasn’t the only big name actor that nearly earned the role; James Caan,Dustin Hoffman, Martin Sheen, Dean Stockwell, Jack Nicholson,andRyan O’Nealwere also considered at various points during the film’s production to take on the role.

Reynolds had already attracted a significant following due to his success on television shows such asGunsmokeandHawk, butThe Godfathercertainly would have changed the direction of his career. However, Reynolds thankfully didn’t miss out on the opportunity to star in a great drama film in 1972. The same year ofThe Godfather’s release, Reynolds delivered an unforgettable performance inJohn Boorman’s survival thrillerDeliverance. There was a brief moment when it appeared like he may have been one of the foremost “serious actors” of his generations alongside Pacino, Cann, and Duvall.

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However, Reynolds’s filmography took a different direction in 1977 when he starred in the comedy blockbuster hitSmokey and the Bandit. Released thesame weekend asStar Wars,Smokey and the Banditproved that Reynolds was better suited for comedy than anything else. Although he would occasionally appear in action-centric films in the next decade of his career,Reynolds had established himself as much more of a traditional “movie star” than someone like Pacino. That being said,The Godfatherstill became a massive box office sensation. It’s easily forgotten that upon its initial debut, the filmbecame the highest-grossing film of all-time.

Pacino needed a role like Michael Corleone inThe Godfatherto prove to the world what a great actor he could be —it would be unfortunate if he spent his entire career confined to a small New York theater. Although starring inThe Godfatherwould have boosted Reynolds’ career, he was still able to reach a significant audience due to his unparalleled charisma. Reynolds’ endearing nature was much more appreciated among general audiences in populist fare than any of Pacino’s roles ever were. Brando may not have been happy about it, but Reynolds would have been a star either.

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The Godfatheris available to stream on Paramount+ in the U.S.

Watch on Paramount+​​​​​​

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