Annnnnd we’re back. It’s been a few (oh so quiet) months since our last edition ofOscar Beat, but 2017 is already halfway over, which means it’s time to start getting back into awards season gear. I know, I know—it’s too early! But the fall film festival circuit will be here before you know it, launching frontrunners, setting off conversations and controversies, and we’ll be full speed ahead all the way through the Oscars ceremony next March.
So before things get hot and heavy, I wanted to take a minute to look back on the first half of the year and consider which films—if any—might be in the awards conversation to come. One thing of particular note this year is that the game has changed (and the playersaren’tthe same).
The most recent Oscars ceremony saw tried-and-true prognostication tactics fall one right after another, and with the Academy adding a record-number of voters this year with even more diversity, by the time the next voting period rolls around 20% of the Academy will be made up of voters added in just the last three years. That’s amassivesea change, and could signal moreMoonlight-sized surprises ahead. So while movies from the first half of the year have a much harder time sticking in the Oscar conversation, the old rules may very well be out the window.
The likeliest contender at this point isGet Out, writer/directorJordan Peele’s wildly successful “social thriller” that tackles racism with wit and tact. It’s one of the most critically acclaimed films of the year, and even if it doesn’t break through to the Best Picture race, I’d be surprised if Peele wasn’t a contender for Best Original Screenplay. It’s one of those films thateveryonehas seen, everyone loves, and—most importantly—has something to say about the world we live in.
There’s alsoThe Big Sick, which is currently expanding its limited release weekend-by-weekend, bolstered by positive reviews. The romantic comedy hails from writersKumail NanjianiandEmily V. Gordon, who wrote the story based on their true-life stranger-than-fiction story about their courtship. It’s admittedly early in the year, but I’d say the film is a potential contender for Best Picture and Best Original Screenplay, and should be one for Best Actor (Nanjiani) and Best Supporting Actress (Holly Hunter) as well. The Academy usually doesn’t go crazy for romantic comedies, but this could be an exception.
Auteur-driven films aren’t solely relegated to the second half of the year, asJames Gray’sThe Lost City of ZandSofia Coppola’sThe Beguiledboth picked up strong notices if not exactly stellar box office for the former. Whether they have a strong showing during awards season will likely depend on how heavily Amazon Studios and Focus Features opt to push the two movies when the fall season arrives, but they’re certainly ones to keep on your radar.
Under the “critically acclaimed” column we also haveEdgar Wright’s wholly originalBaby Driver, which overperformed at the box office opening weekend and stands at a robust 97% on Rotten Tomatoes. Below-the-line nominations are absolutely likely (and worthy) for Best Sound Design, Sound Editing and Best Editing, but I’d also throw the film into the ring for Best Original Screenplay, Best Director, and Best Picture. Admittedly it’s an uphill battle in the major categories for a “genre” movie, but hey, ifMad Max: Fury Roadcan crack into the Oscars, why notBaby Driver? And while we’re at it,Anne HathawayandJason Sudeikisabsolutely deserve a mention for their stunning turns inColossal.
Speaking of genre, while the superhero trend has yet to give us a Best Picture nominee, thatcouldchange this year depending on which way the wind blows.James Mangold’sLoganredefined “dark and gritty” with a genuine Western spin on the genre, boasting terrific performances fromHugh JackmanandPatrick Stewart. It’s an uphill battle for any genre movie in the bigger categories, but again the Academy makeup has changed so we could see a shift depending on how crowded the end-of-year season gets with serious dramas.
But honestly, the blockbuster that I think has the best chance of getting a Best Picture notice at this point isWonder Woman. Positive reviews are key, which this one definitely has, but more than thatWonder Womanbroke through the zeitgeist to become a movieeveryonewas talking about. It’s a powerful film that speaks to the current state of our world, and that it means so much to so many people could certainly propel it through the second half of the year. IfWonder Womanhits big with the Academy (and that’s a big “if”), Best Picture and Best Director nominations would certainly be warranted, in addition to the film’s sure-to-be big splash below the line in categories ranging from sound to visual effects to possibly even costume design.
Indeed, films likeAlien: CovenantandGuardians of the Galaxy Vol. 2will likely show back up again in the crafts categories. Whatever you think ofAlien: Covenant, the production design and cinematography are undoubtedly stunning, and ditto to the production design and costumes in Disney’sBeauty and the Beast. All three of these blockbusters will also likely be in the running for visual effects and the two sound categories alongside other bombastic fare likeKong: Skull Island. And though it was kind of D.O.A., I have to single out the tremendous craftsmanship ofGore Verbinski’s horror thrillerA Cure for Wellness—if there were any justice, that’d absolutely be in the crafts conversation.
As for animated fare, we’ve yet to have a true critical darling.The LEGO Batman Movieis the closest we’ve come, but even the positive reviews for that film acknowledged it’s not quite as good as Oscar-snubbedThe LEGO Movie.Cars 3got a so-so response, andDespicable Me 3was met with something of a yawn, but the Best Animated Feature category should be interesting this year as a rule change now means that more Academy members will work to choose the nominees rather than a select craft-specific group of people. That could mean a more populist list of nominees, so we’ll see how things shake out.
Will any of these aforementioned films make it all the way to the Oscars ceremony next month? Maybe! Maybe not! Traditionally most Best Picture nominees come out in the fall corridor, but recently the Oscars have essentially said “to hell with tradition,” so we could see some fun shakeups this year. A lot of the longevity of films likeGet OutorWonder Womanwill depend on how many quality films hit theaters this fall. We’ve seen many a contender fall prey to sky-high, sight-unseen expectations only to stumble once it’s finally seen (see:Unbroken,Interstellar), so we don’t know until we know.
But get ready, folks. Oscar season will be here before you know it, and I’ll be here as usual running down the ins and the outs with regular Oscar Beat updates. Until next time.
